5:40 pm By Jennifer Woodard Maderazo · TV|Venezuela · Comments Off
26 Apr 2007
Venezuela, home to one of Latin America’s most thriving television industries, has lost a famous telenovela star to violent crime, a social problem that has increased in recent years in that country. Yanis Chimaras, 51, was violently murdered on Tuesday in an unexpected attack while in the company of two other people:
He was killed early Tuesday in the Caracas suburb of Guatire when he arrived in a car to pick up his daughter’s friend, police said. Chimaras, who was with his daughter and brother, honked the horn repeatedly for the girl to come out.At the time, robbers were inside the house holding up the girl’s family. They thieves came outside, forced Chimaras out of his vehicle at gunpoint and stabbed him three times, police said. He suffered a punctured lung and bled to death.
11:06 am By Jennifer Woodard Maderazo · Politics|TV|Venezuela · 2 Comments
19 Jan 2007
A while back Maegan told us that Venezuela president Hugo Chavez was trying to pull the plug on Caracas’ oldest broadcaster, RCTV. The Washington Post reports that the hate that festers in the President’s camp was spurred by many things. One of them happens to be an apparent aversion towards telenovelas.
Government officials openly disparage RCTV’s daily programming — seeing its soaps as akin to pornography. The president has accused RCTV of “poisoning the souls of children with irresponsible sex.”
I’m sorry, living in a Latin American country that doesn’t allow me to view telenovelas does qualify as totalitarian. One government organizer is quoted as saying:
“The children are the ones affected for many years by the sex, by the violence of these programs that go against the morality of children, that go against the morality of the Venezuelan people.”
7:53 am By Jennifer Woodard Maderazo · TV · 4 Comments
25 Oct 2006
I confess. I watch Spanish language novelas with all their stereotypes and overacting. I hide my addiction by saying I’m taping the show for my mom, but really watching a novela is like having a secret love affair. It’s dirty, short-lived, and with a predictable ending. Last night,the finale of Telemundo’s Tierra de Pasiones, delivered on all fronts. If you didn’t get to watch the final episode don’t keep reading. There are spoilers ahead.Marcia, the slutty blonde gold-digger dies(or does she?) a fiery, bloody boat crash death and Valeria, played by the heavily siliconed Gabriela Spanic, ends up walking down the aisle in a red dress to marry Francisco, played by the very sexy Saul Lisazo. At the wedding Valeria’s gay son takes his lover’s hand, the most intimate two men are allowed to get on Spanish network television, and seems not to be bothered by the fact that he can’t get married because of his sexual orientation.
4:09 pm By Jennifer Woodard Maderazo · Controversia|States|TV · Comments Off
13 Jul 2006
Spanish-speaking prisoners in Utah are up in arms because they’ve been robbed of something vital to their peace of mind: Univision telenovelas.
An outburst among inmates over a decision to pull the plug on steamy Spanish-language soaps and talk shows resulted in a lockdown at Logan’s Cache County Jail.After getting numerous complaints about the raunchy shows and inmates hogging the television, jail commanders decided Tuesday to pull the Spanish-language TV channel Univision from the cable line-up pumped into the jail’s 15 common area TVs.
“It was dividing the inmates,” said Cache County Sheriff’s Lt. Brian Locke. “Some wanted to watch it, some didn’t want to watch it and it just got worse and worse and it all came back to that channel.”
12:52 pm By Jennifer Woodard Maderazo · Culture|Entertainment|Marketing|TV · Comments Off
30 Jan 2006
It depends on how “authentic” they are. Will they be as melodramatic as Spanish-language novelas? Will they follow the typical cliché plotlines — repeated time after time for decades — the ones we love so much?
If they do, I think they’ll be a flop with a mainstream audience. TV executives are also pondering these questions as they move into the telenovela realm. Call it “reverse TV crossover” if you will:
“They will be adapted for American sensibilities, perhaps with fewer “heaving bosoms,” she said.
“I’m part Latin, so everything in the Latin culture is — there’s a lot of hyperbole and there’s a lot of melodrama,” Tassler said. “I think we’re going to modify it for our audiences.”
Take away the heaving bosoms and you’ve lost half the appeal.
Via / Washington Post
7:15 pm By Jennifer Woodard Maderazo · Entertainment|TV · Comments Off
19 Jan 2006
I had to laugh at loud at the comprehensive analysis that Univision.com has conducted on the historical absence of bathrooms, bathroom speak, and any reference to using the bathroom in telenovelas — and the baño’s sudden reappearance on the scene. In a very complete (three pages!) article, they analyze the history of the bathroom on Spanish language soaps, and it’s present-day comeback. A tidbit:
Alborada nos muestra cuán importantes eran los vasos de noche en la era colonial. Primero vimos que la monja Catalina saluda a Hipólita, su sirvienta-hermana, con un “¡vacíame el orinal!”. Capítulos más tarde, Don Diego, Conde de Guevara, envenenado con un filtro amoroso utiliza la bacinica para devolver el contenido de su enfermo estómago. Finalmente, y en medio de una conversación con su madre, ¡Don Diego se baja los calzones y usa el retrete portátil!
Via / Univision.com
9:03 pm By Jennifer Woodard Maderazo · Marketing|Movies · Comments Off
15 Nov 2005
And they are doing it by “bringing telenovelas to the big screen” and via a movie about Reggaeton. From the BBC:
The companies intend to bring the popular Hispanic soap opera – or telenovela – format to the big screen.Among the other productions in the pipeline is Reggaeton, a film set against the Puerto Rico dance music trend of the same name.
I mean, I like novelas as much as the next girl and believe in appealing to needs of the target market, but GOD, aren’t these two themes a bit stereotypical?
Illustration: Lalo Alcarez
Via / BBC News
12:00 pm By Jennifer Woodard Maderazo · TV · 2 Comments
14 Oct 2005
You know novelas are getting bigger than everyone ever imagined when mainstream media starts writing about them. I mean, novelas? These Latin American works of art are in a class all by themselves. They are the opposite of Hollywood. They are unpretentious. They don’t pretend to have the greatest actors, the best scripts or even sets that look real. As non-Hollywood as they are, the Hollywood Reporter is reporting on them today:
Four decades ago, who would have imagined that Mexican novelas would be seen in such far-flung places as Russia, Indonesia and Slovenia? But today, more than 100 countries import Mexico’s steamy soaps, Spanish broadcasters say.
Hollywood is only just now realizing the novela’s international appeal and ability to create addiction outside of Spanish-speaking countries. The rest of us know that Veronica Castro has been HUGE in Russia for over 20 years, and Thalia is, and will always be, the honorary daughter and darling of the Philippines, where “Maria Mercedes” and the rest of her novelas are dubbed into Pilipino. International appeal, because the storylines are international. A rise to the top by someone down in the dumps, some bitch that wants to steal your boyfriend and will stop at nothing to eliminate you, a child you were forced to leave behind but are determined to get back once you finally make it big. Stories as old as storytelling itself, and drama in the true sense of the word.
We love to hate the acting, we laugh when we should cry at them, we think they are trashy but deep down or shamelessly, we love them. The novela has a strange appeal. Someone who is a self-proclaimed film snob or claims to never watch TV can be hooked in just one episode. Even people who don’t speak a word of Spanish get hooked. So predictable, I think that’s where the novela’s appeal lies: in how comfortable we feel when we are watching them. We know Thalia from the barrio is going to marry rich Fernando Colunga at the end, and that after that she’ll still have to fight for her rightful place in a society that still sees her as scum. She’ll lose little baby Nandito but don’t worry, she’ll get him back. Along the way she’ll also gain some respect. Always pulling for the underdog, we are, comforted in knowing she’ll triumph and knowing that no matter how high she rises she won’t forget her roots. Isn’t that what we all wish for ourselves?
Via / The Hollywood Reporter
VivirLatino is a daily publication published by Mamita Mala Media, dedicated to featuring all the latest politics, culture, entertainment of interest to the diverse Latin@ diaspora.
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