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Posts Tagged ‘Raices

Monna Bell, a popular Chilean singer who achieved success in Mexico and Spain in the 1970s and was one of Mexican pop star Juan Gabriel’s muses, died on Monday in Tijuana of a stroke.
Her friend, actress Carmen Salinas, announced the news:

“I’m very upset. Monna was a great friend, a great woman, and she had an unmatchable voice. Her family informed me today that she passed away on Monday.”

Bell arrived in Mexico in the 1970s after achieving success in Spain. Spanish director Pedro Almodovar included her song “Estaba Escrito” in his 1980s classic “Pepi, Luci, Bom Y Otras Chicas Del Monton”.

Via / El Economista

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New Tigres del Norte Album Out : Raices

12:37 pm By Jennifer Woodard Maderazo · mexico|Music · Comments Off

5 Mar 2008

Tigres-Raices%2520Album%2520Cover.jpg>Yesterday Los Tigres del Norte released their latest album, Raices. The Grammy winning artists released this as the first of two albums planned for release this year that feature newly recorded versions of classic Mexican songs.

The album is getting lots of play in my Mexican hood and is featured prominently in the local record shop.

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Raíces: Yma Sumac

5:50 pm By Jennifer Woodard Maderazo · Features|Music|Peru|Raices · Comments Off

12 May 2006

Imma3.jpgRaíces is a VL Friday feature saluting Latino music icons of days gone by.

Normally the musical icons we write about on Raices have passed on, so I was happy (yet surprised) to find that a favorite of mine who I thought had left this world is in fact still with us. Yma Sumac, a Peruvian singer with one of the world’s most striking voices has been, in recent years (much like Bossa Nova artists) relegated to providing background noise to trendy martini bars and bachelor pads.

It’s not uncommon to walk into a tiki-themed bar in San Francisco or New York and hear one of her recordings. But this type of “exotification” was actually the biggest selling point for her throughout her career. Billed as the “Inca Princess”, she was Hollywood’s (and men’s) ideal of what an Incan woman should be. Unfortunately this has made many view her as more of a cult icon than the amazing (4-5 octave range) singer that she is. Some highlights from Yma’s Wikipedia entry:

Yma Sumac (born in Ichocán, Cajamarca, Perú September 10, 1922), also earlier spelled Ymma Sumak (quechua translation of “pretty flower”) or Imma Sumack is a noted vocalist of Peruvian origin. In the 1950s she was one of the most famous proponents of exotica music. She is remembered chiefly for her amazing voice, which at the time, covered a range of four octaves. She is (with some controversy) credited with singing the highest note recorded by the female voice (surpassing Erna Sack) in the track “Chuncho” in one of her LPs (Inca Taqui 1953).

Yma Sumac may have been born on September 10, 1922 in Ichocán, Cajamarca, Peru as Zoila Augusta Emperatriz Chavarri del Castillo. Other dates mentioned in her various biographies range from 1921 to 1929. Some sources [1] claim that she was not born in Ichocá, but in a nearby village or possibly in Lima, and that her family owned a ranch in Ichocá where she spent most of her early life. It is also claimed that she is an Incan princess directly descended from Atahualpa. The story that she was actually born as Amy Camus (which is Yma Sumac read backwards) in Brooklyn or Canada seems to be a hoax.

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Raíces: Eladia Blásquez

5:14 pm By Jennifer Woodard Maderazo · Argentina|Features|history|Music|Raices · Comments Off

7 Apr 2006

Dibujode_ar.jpgRaíces is a VL Friday feature saluting Latino music icons of days gone by.

Tango isn’t necessarily the most popular music among Americans in my age group. I think I’m one of the few people I know who realizes that tango isn’t just a dance involving a lot of fishnet stockings and sultry gazes. Tango is poetry, and in my opinion is the musical genre that comes closest to being more literature than entertainment. Its lyrics speak of the culture of which it was born — that of the arrabales of Buenos Aires — mysterious to the rest of us and beloved by its sons and daughters for their beautiful grimness and for embodying the porteño spirit in a code that only a native son can truly understand.

Tango has had many, many incredible poets — alas, too many to name. But one that has to come to mind when talking about the spirit of the arrabal; of the poverty that shapes art, the despair that begets the sublime, is Eladia Blásquez.

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VivirLatino is a daily publication published by Mamita Mala Media, dedicated to featuring all the latest politics, culture, entertainment of interest to the diverse Latin@ diaspora.

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