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Posts Tagged ‘dance

Monday Morning Movie : Voces Soy Andina

6:45 am By Maegan la Mamita Mala · dance|Media|Movies|Peru|TV · 4 Comments

26 Oct 2009

The more I think about the series Latino in America, the more comments I read here and on other sites, and the more I seek out real lives of Latinos and Latin Americans. Who needs cable when I found another documentary in the PBS Voces series, Soy Andina.

What really resonated with me about this film was how the young Peruana went to Peru and struggled with being confronted about her identity. Because she was born in the United States, she was viewed as gringa not as the Peruana she felt she was. This was done through exploring the folkloric dances of the “home of her heart”.

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bomba.jpgThis weekend in New York City women will have the chance to learn the Afro-Puerto Rican dance and music style known as Bomba. Nyree Feliciano of Bomba Boricua is offering a Bomba workshop for women only tomorrow October 8th and Sunday October 10th at the Clemente Soto Velez Cultural Center, 107 Suffolk Street, Room 203, in Manhattan.

Bomba is not just a music and dance of celebration; it was used as a language in and of itself, as a way for slaves to communicate and plan rebellions.

Bomba has its roots on the coasts of Puerto Rico where West African slaves and their descendents worked the sugar cane fields. Bomba is not just a music and dance of celebration; it was used as a language in and of itself, as a way for slaves to communicate and plan rebellions.

The workshop is limited to 12 participants so please call (212) 533-6466 to reserve space. The cost is $60 for both classes.

Via / Nuyorico.com

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Ballet to be saved…by Latinos

2:20 pm By Jennifer Woodard Maderazo · Culture · Comments Off

21 Sep 2005

The Bolshoi Ballet School - Cornell Capa.jpgAccording to an article in The New York Times, it’s not just the reggaeton craze that Latinos are responsible for fomenting these days. American ballet, in a state of oblivion for the past 20 years or so, is beginning to see a revitalization at the hands (feet) of Latino dancers. Many are Cuban, a result of Castro’s long-time funding of the arts and ballet academies in particular, but dancers from all over Latin America are taking American ballet by storm:

“It used to be the Russians,” Kevin McKenzie, the artistic director of American Ballet Theater, said in a phone interview last week. “Now it’s the Latin community.”

Nearly half of the principal dancers at Ballet Theater and at the Boston Ballet are from Latin America or Spain. Four of the 12 foreign dancers at the New York City Ballet are from Latin America or Spain; one is from Puerto Rico. Principal dancers from Latin America and Spain now outnumber those from former Soviet-bloc countries at the Boston Ballet and the Royal Ballet, and are neck and neck at the San Francisco Ballet. At the Washington Ballet almost 20 percent of the dancers are from Latin America or Puerto Rico.

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