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Posts Tagged ‘cine

VL At Tribeca Film Festival

8:54 pm By BiancaLaureano · Movies · 4 Comments

26 Mar 2012

The Tribeca Film Festival is coming and we have press passes to cover the festival! There are only a handful of films that really catch my eye and have me excited, so I’m interested in hearing what our readers would like for us to check out. Of course my first goal was to check out the films that feature and are created by Latin@s. The submissions are not as vast/diverse/complicated or feature-length as in the past so lots of options, many of them “shorts.”

Check out the full list of films for this year and let us know in the comments which film(s) you’d like for us to feature and share our impression and perspectives on!

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This film was not an official part of the NY International Latino Film Festival. However, there was a lot of support and marketing among the NYILFF for this film and I watched it during the festival as one of the films I chose to review. 

I tried really hard not to put in spoilers, however, there may be some in this review, but not enough that the entire film is spoiled!

By now many have heard about this film from one space or another. It is still only in theaters on a limited release basis in NYC and LA. As one of the (very) few films that feature and center Latinos and is created by Latinos, the fact that this film is in theaters is a huge accomplishment. The film stars Judy Reyes as Angela, Esai Morales as Ernesto, and presents Harmony Santana as Vanessa. View the trailer below:

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Over the next few days be on the lookout for film reviews from our time at the NY International Latino Film Festival. A week of films from all over the world, it was difficult to choose when and which films to watch. Unfortunately, I could only check out three, but I’m glad I did!

We’ve shared the trailer to Precious Knowledge before, and I was very excited to see the film as part of the NY Latino Film Festival and one I could review. I attended the second of two screenings at the festival and there were about 50 people present. The producers, editors, and one young woman, Pricilla Rodriguez, whose father is detained since the passing of SB 1070, from the film were present for a question and answer period after the film. Check out the trailer one more time:

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This summer it’s all about saving money and supporting important films for our comunidad! I write this knowing that sometimes to support important films we may spend a little extra at film festivals, and if you live in an area where film festivals are coming (or have been) it’s def worth the energy to check out what they have to offer.

Mala and I will try to bring you some highlights of the film festivals we are going to this summer and year. In the meantime, here are a few films that have caught my attention and that I’d love to see (note that I’ve only seen some of these films and you can too, so they are not reviews), pero if any VL readers have seen any of these films I haven’t, please tell us your thoughts!

The first set of films is offered to view for free by the organization FUTURESTATES which are:

short narrative films created by established filmmakers and emerging talents transforming today’s complex social issues into visions about what life in America will be like in decades to come.

FUTURESTATES has also created a web resource for educators to use the films with grades 9-12 (but let’s be honest these are useful for any age!). The curriculums focus specifically on film and media.

The first film is one that was shared with me while I was away at a wedding. It is created, written, and directed by NYU alumna A. Sayeeda Clarke. Her film WHITE is in one word: phenomenal! It’s a short about 15 minutes long, and you may watch it online for free here. Clarke’s film takes place in the near future in NYC where the currency is skin color/melanin. She questions our ideas of identity, skin color, importance, class, natural resources, community, race, ethnicity, health, parenting, work, capitalism, global warming, and survival. The lead character is Bato, a Black Puerto Rican (yes, he’s written as that and indicates his identity in the film as such!), an activist in his community and expectant father. When the midwife working with his partner shares that she will have to give birth in a hospital setting, the couple must now find the money to pay the entrance fee to have a safe birthing outcome for their child. Bato must now find the money to do so.

The fact that there is a LatiNegro at the center of this story warms my heart. That we remain a part of the FUTURE is important for us to see and recognize. It also shares an important narrative of how white supremacy will/may continue in the future, but in new forms. This is one of those films where after seeing it I was so uncomfortable yet calm. I wanted more of the story and that alone is what makes this short film one of my favorites!  Below is an interview with A. Sayeeda Clarke discussing her film:

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The trailer for this documentary film about indigenous struggles in Colombia came to my attention earlier this week and I wanted to share it with VL readers as many of you may be interested in coordinating a screening or supporting the documentary. Below is the synopsis from the film website as well as the trailer which is in Spanish with English subtitles.

Colombia has 102 indigenous peoples that are currently caught in the crossfire between Latin America’s oldest guerrilla group and the army. WE WOMEN WARRIORS is a journey inside the war-torn native nations that are surviving Colombia’s internal armed conflict, guided by three valiant female leaders who illuminate salient examples of bravery and nonviolence.

WE WOMEN WARRIORS shares intimate stories of resistance and survival. Doris Puchana, 26, is a young mother who defends the vulnerable Awá population that grows coca leaves (the base for cocaine). Ludis Rodriguez, 34, a spunky Kankuamo widow, tells us from prison how she was framed and captured on false charges of rebellion. Tiny in height but tremendous in spirit, Flor Ilva Trochez, 36, is the first female leader for the Nasa tribal government. She leads peaceful demonstrations to fight for the removal of police barracks set up in the Nasa community that endanger civilians by placing them in the line of fire.

WE WOMEN WARRIORS is both personal and political. Despite her life being threatened after denouncing a massacre in her village, Doris does not abandon her tribal post. Once Ludis is freed she joins other widows in the struggle to move onward, coping and healing after systematic violence swept through her region. Meanwhile, Flor puts Colombia’s constitutional indigenous autonomy into practice and strives toward creating a territory free of armed fighters.

In 2009, Colombia’s Constitutional Court ruled that nearly one-third of its native peoples are in danger of extinction because of the warfare. WE WOMEN WARRIORS bears witness to human rights abuses and offers stories of female empowerment, unshakable courage and faith in the survival of indigenous culture.

 

WE WOMEN WARRIORS from Nicole Karsin on Vimeo.

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Precious Knowledge

12:37 pm By BiancaLaureano · Arts · 4 Comments

8 Mar 2011

I’ve seen this trailer for the film PRECIOUS KNOWLEDGE for a while now and wanted to share with VL readers. A film by Dos Vatos Production, the film focuses on youth at Tucson High School enrolled in their Mexican American Studies Program and discusses the isolation and targeting of ethnic studies in the US. Here is what Dos Vatos shares about thie film:

Arizona lawmakers believe Tucson High School teachers are teaching victimization, racism, and revolution in their Ethnic Studies classes. Meanwhile Tucson Unified School District’s Mexican American Studies Department have data showing that almost 100% of their students graduate from high school and 82% attend college.

Why is studying Mexican culture and history controversial? What is Ethnic Studies? Why is the national dropout rate so high for Latino youth 50%?

The Dos Vatos Productions team filmed a year in the classroom to find out why the Mexican American Studies program is so popular with students, so misunderstood by the public, and discover what actually happens in the classroom.

PRECIOUS KNOWLEDGE illustrates an epic civil rights battle as brave students and teachers battle with lawmakers and public opinion in an effort to keep their classes alive.

Check out the trailer below, and if you want to find out more visit the Precious Knowledge facebook page.

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VL At The Cine: Rango

5:29 am By BiancaLaureano · Arts · 4 Comments

4 Mar 2011

It’s been a long time since our last film review! If you’ve been watching commercials lately chances are you’ve seen ads for Rango, the new animated film by Paramount Pictures and Nickelodeon. Starring Johnny Depp as the voice of Rango, a sheltered chameleon who has a passion for theater and acting. As I watched the trailers for the film, I couldn’t tell if I really wanted to see it or not. When an invitation came to us to check the film out, I thought why not?!

The morning of the screening we walk in and it’s one of the largest screens in the theater and it was filled with children and the adults who came with them. I took a deep breath and we headed up to the top right hand corner of the theater where there were a limited amount of children. I didn’t know what to expect, but I definitely was surprised and entertained!

What I assumed about this film was that it was rated G for all audiences, however, it is rated PG, so this explained a lot of the humor and script. There are many adult themes and jokes throughout the film, which is one of the many reasons it held my attention (then again have animated animals talking about getting mammograms and prostate checks will have me giggling anyways!)

The film follows Rango, a name he picked for himself when asked who he was by other characters later in the film. We get the impression he’s been a lonely pet for a very long time acting out scenes from plays he creates in his head with the random toys in his tank: the headless naked torso of a barbie doll, a wind up plastic goldfish, and some other items I can’t remember. He ends up falling out of the car he’s in with his human owners when they try to avoid running over a armadillo named Roadkill. His tank falls out, breaks and he finds himself alone in the hot southwest desert.

Roadkill, performed by Alfred Molina, provides guidance to Rango and encourages him to go to the nearest town of Dirt to find community and some water. He also talks about his desire to simply get to the other side, and how that is a part of a more important journey to self discovery. As he sets out into the desert, he’s reminded of Roadkill’s wisdom: he can be whomever he wants to be. His first encounter is with a hawk as seen in the trailer above, and one of the first times I laughed hard was as he was encouraged to avoid the hawk by trying to blend into the scenery. We watch as Rango shifts through his colors as another animal tells him to hurry up! Rango has an interesting reply that changing his colors to blend in is more of an art than a science.

His first encounter with a Dirt resident is Beans, performed by Isla Fisher, a young, quick, cleaver animal who has inherited her father’s land. She’s out to search for what is causing the water drought in Dirt and takes Rango back to Dirt with her. This is when the story of the Wild West begins.

Dirt has several characters that really represent some of the human characters we see in Western films, which makes it hilarious in itself! The oldest animal, and mayor of Dirt (Ned Beatty)  is a tortoise who uses a wheelchair and is a shady character who surrounds himself with the muscle of amphibians and reptiles to give the illusion of protecting Dirt residents while also instilling fear in them.

Rango is one of those characters that “lucks out” when it comes to having certain situations come out in his favor, such as killing the hawk that’s following him in the trailer above. He also has tall tales to tell of killing seven brothers with one bullet that earns him the respect and admiration of Dirt residents. He’s soon appointed the new Sheriff of Dirt whose mission is to protect the remaining water in the Dirt Bank and investigating why there is a drought.

The film is exciting and witty as we watch all of the characters of various species work together to obtain water. It’s a very adult theme, the lack of water, what happens when we do not have clean water or access to any water, and how communities are affected. There are many “teachable moments” in the film to discuss larger environmental issues of drought, food access, and community building.

Because the film is rated PG there is lots of Wild West gun violence, animals do get shot, either with guns or other weapons and some of them do die. If you are not ready to have your child view such images this may not be the best film for them.

What stands out the most for me was the music. The soundtrack was brilliant! I’m finding myself really impressed with the music that many animated films are producing today in comparison to other films. There are four owls that introduce the story and they play as a Mariachi band various corridos of Rango’s adventures. This is one soundtrack if your kids insist on getting and hearing over and over you’ll enjoy for a while too!

 

VL Verdict: 9 out of 10, start saving some money it’s in theaters Friday March 4th!

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VL At The Cine: Machete

6:38 pm By BiancaLaureano · Arts|Immigration|Movies · 8 Comments

2 Sep 2010

***SPOILERS***

I’ve been waiting for Machete to hit theaters for a long time. When SB1070 had been signed into law, I remember the film trailer being a hit and reaching various communities of practice within days. One of the reasons the trailer became so popular is because there is a social commentary woven into one of the first Latino superhero films. Check out the trailer below:

In a small room filled of mostly men, I was one of maybe three people whose gender expression and identity I read as women. It’s not often we see character actors of Color gain leading roles. We did see Samuel L. Jackson emerge from such a space, but it is a rarity. One of the many reasons I’ve wanted to see Machete was because of lead Danny Trejo. If you don’t know who Danny Trejo is I really don’t know what to tell you about yourself. He’s been in as many films as James Edward Olmos but rarely gets the recognition, which he seems all right with. I’ve noticed that many character actors feel this way and are happy to be able to get work on a regular basis. Trejo does play the same character in many of his roles, but that’s why I love him: he don’t play. He plays himself and I believe he can murder someone with his bare knuckles even if he is tied to a chair.

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VL At The Cine: Despicable Me

8:08 pm By BiancaLaureano · Arts · Comments Off

30 Jun 2010

This review isn’t going to be too long because I absolutely adore the film Despicable Me! It is a children’s film and in 3D, which seems to be the new route films are going these days, but it’s the kind of 3D film that is amazing!

When I first was invited to attend a screening I didn’t think there would be too much I’d enjoy about the film. The trailers didn’t really give a good idea of what the film was about or the humor that was presented. So when I arrived at the screening and sat in a theater filled with children under the age of 10, I really asked myself: “Bi, are you ready for this?”

And the answer was: No I wasn’t ready.

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Vivir Latino will be covering the Human Rights Watch International Film Festival, specifically the world premiere of Youth Producing Change series where young media makers from all over the world create and produce messages and share stories important to them! From June 18-19th there will be 11 films featured.

Adobe Youth Voices presents the World premiere of Youth Producing Change, an innovative program of youth-produced short films from across the globe showcased with the Human Rights Watch Film Festival. Eleven films will be shown this year, selected from over 250 international submissions.

All screenings are at Film Society of Lincoln Center Walter Reade Theater
165 West 65th Street, Upper Level (Between Broadway and Amsterdam) in NYC. The films are affordable and there are special discounts! For example:

Special Offer: BUY ONE TICKET for $8~ GET ONE FREE
Select the “YPC Special” online and receive a 2nd complimentary ticket at the Walter Reade Theater box office. This offer is subject to availability and only good for the YOUTH PRODUCING CHANGE screenings in the HRWIFF10. For group tickets please email ypc@hrw.org

I’m so excited to be able to see these films. Below is a list and brief synopsis of each film at the festival this year. Are there any specific films you VL readers would love to hear more about?

HANDS OF LOVE:
For David Were and his community in Kibera, the largest slum in Kenya, having access to simple facilities like a bathroom can be a matter of life and death. After a devastating attack on his father, David and his friends know their work to provide security, latrines, and clean-up projects is more than a struggle for a healthier environment —it is part of ensuring the survival of their community. *David Were and Justus Ongera will attend the festival.

KAMRAN’S STORY:
Drawing from a series of dramatic life-changing events, 14-year-old asylum seeker, Kamran, narrates the story of his courageous escape from Afghanistan   and his unaccompanied journey to the United Kingdom. *Kamran Safi will attend the festival.

MIGRATION:
Young people find themselves left on their own when parents are forced to seek work in other countries in order to support their families. Migration provides a new take on immigration, from the perspective of children left behind.

ALIMENTATION D’UN CONGOLAIS MOYEN
(AN AVERAGE CONGOLESE MAN’S DIET):
For 14 years, Congo has been ravaged with conflict. In Congo, food insecurity remains the norm. Millions have died mostly due to malnutrition or lack of access to basic medicine. The simple truth for children in Congo – having a meal isn’t always a given.

17 & UNIDENTIFIED:
Born in Batey Cuchillia, Dominican Republic of Haitian descent, Deivei was never provided with a birth certificate. Without it, he cannot continue his education, find a job, marry or travel. *Filmmaker Alicia Wade will attend the festival.
GROWING UP IN INDIA:
In the northeastern desert state of Rajasthan in India, Sangita feels the limitations of her culture’s caste system when she decides she must forgo an education to train as a dancer in order to support her family.

BABICA:
The Roma people have been the target of persecution and discrimination for   centuries. A Roma grandmother shares her hopes for future generations as she prepares bread with her granddaughter. *Martina Hudorovič will attend the festival.

HUDUD:
Being 16 in the Occupied Palestinian Territories today is to have one’s life dictated by curfews, clashes with soldiers at check points, arbitrary searches and arrests. Hudud (an Arabic word for restriction) illustrates the challenges that Israeli construction of the “separation barrier,” or wall, pose for Palestinian youth.

MARIPOSA:
As Espie prepares for her quinceañera, a traditional rite of passage celebrating a 15-year-old Latina’s debut, her family comes to terms with Espie’s decision to “come out” in a different way. Espie’s story embraces the complexity of family tradition and sexual identity with an honest and brave heart.*Espie Hernandez will attend the festival.

SEE. LISTEN. SPEAK. NGARRINDJERI’S BEING HEARD:
After water is diverted from natural streams and lakes in the rural Coroong community and delivered by pipeline to larger cities, the aboriginal Ngarrindjeri face a disastrous water crisis, threatening their way of life. Ngarrindjeri youth speak out to protect their culture and traditions.

IMAGE OF CONTAMINATION:
The course of Air Force enlistee Diana López’s life changes forever when she learns that toxic waste has been seeping off nearby Kelly Air Force Base and into her community’s ground water. *Elizabeth Gonzalez and Antonio Rodriguez will attend the festival.

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