6:11 pm By la Macha · Uncategorized · 4 Comments
26 Oct 2009One of the biggest issues that seems to have come out of the “Latino in America” series is the question of identity. What, exactly, is a Latino? Some people were satisfied with Soledad O’Brien’s framing of “Latino,” others had real problems with it, including: there was a limited black Latino presence on the show, Puerto Ricans and Cubans were shown as oppositional to Mexicans, there was absolutely no mention of queer politics (including any mention of the huge losses that have devastated our communities) and the “boot strap” mentality (as in, pull yourself up by them) was normalized far too easily on the whole.
Regardless, I have been so excited to see a range of comments attempting to more clearly and broadly and specifically define that age old question, “What is Latino?”
The following is one of my favorite answers so far.
From the Latin Americanist:
I have my issues with CNN and many other network television news stations but felt compelled to watch their special.
Being born and raised in the United States from immigrant parents, I sometimes consider myself a “slashed American”. I do not view this term as something that breeds distrust and division but that adds to the plethora of diversity this country has long been know for and symbolizes.
My first language was Spanish. But when my family relocated to the suburbs of RI from the bustling metropolis that is NYC, I was slapped in the face with a huge culture shock. In the end I integrated well with my “American” counterparts. I learned the language, celebrated the American holidays, all the while still trying to remain true to myself.
It is a constant battle juggling both my Mexican heritage and my new found American self; trying to hold on to my family’s legacy while being pulled in the other direction to also embrace this new tradition as I continue to struggle with what it means to be an American.
Latino to me, comes from the joy I feel when I hear others converse about issues and topics relevant to me in the language I adore.
Latino to me, comes from the overwhelming sensation and urge to dance when I hear the Latin rhythm of salsa, cumbias, and merengue music.
Latino to me, comes from the overindulgences of my mother’s tamales, mole poblano, pastel de tres leches, and the plethora of tastes and flavors that make up the Latino pallet.
Latino to me, means that I am a vital part of this country, that I foster growth and tolerance and add to an ever growing diversity that make America rich and vibrant.
Latino to me is knowing that while I may be a “slashed” American I am no less than any whole person; that I am in no way deprived of any sense of self but lucky and even blessed.
It is my two distinct worlds that have shown me that I am not all that different from my Anglo brother, from my African sister, or from my Asian cousin. But has shown me that deep down we are all the same; with the same needs to love and care for one another and be accepted.. Once we find that common ground, can we truly unite to dispel this distrust and division among ourselves not only as Americans but as human beings, as a part to the overall whole.
Of course, I want to scream and yell and stomp my feet to this definition, because it encourages people in our communities to build on existing definitions, to explore outside of “nation/state” definitions, to think of lived experiences rather than corporate news.
So to this list, I would add:
Latino to me means glorious sexuality–it means Cherry Gallette, La Chica Boom, our own Mamita Mala, and so many others. It means naked and fat Virgin Guadalupes and in your face Butchlalis.
I am a queer Latina because I am Latina–I could not “come out” if I identified as white or mostly as white. I’m not really sure why that is. Being queer is being Latina to me, and vise versa, I couldn’t be one without the other.
What is “Latino” to you? What makes you–you?
9:58 am By la Macha · Uncategorized · 1 Comment
15 Oct 2009One of my favorite singers of all time is Chicana (or Mexican American, not sure how she identifies, but you know *I* will claim her as straight up Chicana!!) Joan Baez. Ardently radical in her politics with the activism to back it up, Joan can bring me to tears even as she inspires me to “do something.”
She was highlighted last night on PBS’s regular series, American Masters. Below is a clip:
The thing I loved best about the show were the various clips where Baez attempted to answer that age old question, “what place does art have in politics? And vise versa?” How do you successfully create art (which is a full time job,) while doing activism (which is also a full time job)? Baez’s answers are complicated and interesting, especially because she was a single mother–who also often dated men who were either activists OR artists. One of the more interesting clips of the film was when Baez talked about how she tried and tried to make her then boyfriend, Bob Dylan, more of an overt political activist, when she finally realized–he was writing the soundtrack to the movement. he didn’t need to do much more than that.
But she did. And she admits to falling on the other side of the spectrum. She wrote songs to support her activism, rather that engaging in activism through her songs.
The show was very compelling. Lots of wisdom there, I encourage you to watch!
2:46 pm By la Macha · Uncategorized · 6 Comments
7 Oct 2009Remember how I encouraged you all to go visit the “who has the best chest in Hollywood” poll? And how I asserted that it couldn’t possibly be anybody else other than Salma Hayek?
Ergh.
Well, I was reading a story on CNN about how the National Organization for Women is protesting David Letterman and CBS, and I came across their anti-chest petition:
Yes, the Internet is full of this kind of exploitative, sexist junk, but shouldn’t we expect better from the Huffington Post? The website links to a previous contest where readers voted on men’s chests, but that’s just a little different, don’t you think? Women are constantly judged and rated on their physical assets and sex appeal, and the Huffington Post really doesn’t need to be in the business of encouraging this practice. Not to mention, how old was the grade school boy who devised the rating scale? The use of the word “gross” is so degrading and juvenile that the folks at Huffington Post should be embarassed.
The whole post follows up with a link on how you can “take action.”
Now, admittedly, I didn’t really pay any attention at all to the rating scale, as I didn’t vote, and I never comment. I was absolutely being a dirty pervert and panting all over Salma’s cleavage, so I just didn’t notice. Upon finding out, yes, I do think it’s shitty to say that a woman could *possibly* have “gross’ tetas.
And on the whole, I do agree that the Huffington Post is singularly irritating with all it’s “naked celebrity womenz!” pictures on the sidebar. Something I’ve especially noticed is the glee it seems to take in pointing out every time Rihanna wears anything that remotely resembles any sort of S & M outfit. As if, dressing in bondage outfits for a photo shoot plus being beaten by your boyfriend some how equals “she likes being smacked around.”
So I get what NOW is saying. Huffington Post appeals to pig in all the liberal elite out there who are too conscientious and morally upright to surf porn sites. Which really sucks when you’re just trying to find out about what is going on with immigration or the latest in the Health care debate.
But at the same time…the heteronormativity (assuming all people are heterosexual) of the NOW statement also sorta irritates the shit out of me. I love tetas. I love Salma’s tetas especially. I got her as my screen saver and have seen every last one of her movies both good and bad. I would *totally* publish a “which picture of Salma’s boobs is hottest” poll on VL if VL had the capabilities of doing so–And I am certainly not a grade school boy.
Is there a way that these feminists can allow the space for queer dyky butch femme lesbian gender questioning trans unsure but totally hot for Salma Hayek people to just glory in Salma (or any other hot woman)? Without it being labeled as sexist garbage that we all have to protest?
How many chicanita dykes out there now think that to be proper feminist you must find looking at hot boobs to be sexist and disgusting?
And how is that message any different from what they are hearing in church or at school even?
What do you think?
5:20 pm By BiancaLaureano · Uncategorized · 2 Comments
6 Oct 2009In celebration of La Macha’s return, shall we dance?! Our amigo Nezua from The Unapologetic Mexican introduces us to a new dance: The Joe Arpaio Smackdown. Nezua continues his weekly video series at La Frontera Times providing updates on “Latinocentric” news. Listen and watch closely at the 5 minute mark for more reason to cut a rug!
News With Nezua | “The Checkpoint” | Oct 5 2009 from nezua on Vimeo.
11:36 am By la Macha · Uncategorized · 1 Comment
6 Oct 2009Because I know you’ve all just been on tenterhooks, wondering where on earth has la Macha been lately, right?
Well, I’ve had a bunch of computer problems and then transportation problems (to get to the library for the computer) and then sick familia problems. Ugh. Please feel free to throw puffballs in anger at my kitteh, who is the one responsible for this whole horrible chain of events (he knocked the computer off the table which, in turn, yanked all the cords out of the plugins, destroying the cords/plugins.) What a fabulous kitteh I have.
Anyway, I hope all my libertarian friends enjoyed their time with no Macha!
Back to posting we go!
1:17 pm By la Macha · Health| Uncategorized · 1 Comment
24 Sep 2009I already wrote that I can’t wait to see the new Michael Moore movie–the following clips show why. Especially pay attention to the Colbert video: if we had universal health insurance, we wouldn’t be in the middle of this economic crisis right now.
So I made this movie to do a number of things. One, to just go head on at this system. I’m not a reformer. I’m not looking for Congress to pass a few new regulations, which, by the way, it’s been a year since the crash, and they haven’t passed one of these things, which is what they said they were going to do right away, right? “All we need is a few rules. Don’t get rid of capitalism, just a few rules, and we’ll get everything back in shape.” Of course, they have no intention of doing that, and the banking industry has lobbied them successfully over the last year to leave them alone so that they can keep doing their crazy schemes. That’s one reason.
| The Colbert Report | Mon – Thurs 11:30pm / 10:30c | |||
| Capitalism’s Enemy – Michael Moore | ||||
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I wonder what the politicians (and my Libertarian friends) response to that assertion is.
1:43 pm By BiancaLaureano · Uncategorized · Comments Off
22 Sep 2009
As the first official Radio VL review, I thought the latest collaboration by Omar Sosa would be a perfect introduction. What better way to contribute to the 30 Days of Latino Heritage than with musicians that represent the complexity of Latinos?
If you are unfamiliar with Omar Sosa, in short, he’s been a part of the Afro-Cuban jazz genre and is one of the few who is pushing the genre of jazz in ways never heard before. His latest collaboration with flutist Mark Weinstein has resulted in Tales From The Earth, a remarkable 14 track cd that embraces and centers the multiple ways of creating, communicating and knowing among musicians. Artists from all over the world (Bénin, Cuba, Europe, Haiti, Ivory Coast and of Jewish and African-American heritage) have participated in the 2-day recording of this album and include Aly Keita (balafone), Jean Paul Bourelly (guitar), Stanislou Michalak (bass), Marque Gilmore (drums), Aho Luc Nicaise (lead vocals & percussion), and Mathias Agbokou (vocals & percussion).
The first track “Sunrise” instantly put a smile on my face. When I think of the sounds I would like to awake to in the morning, it is exactly what the artists created. Perhaps it is the vibrations that are made by the percussionists that so easily follow the rhythm of my breathing. Track two “Invocation” offers the first opportunity for Weinstein and his flute to be highlighted. This is also the song that each artist can be heard including the vocalists. If you have to wonder who or what they are summoning, keep listening. “Walking Song” follows the lead of “Invocation” and “Tea Break” creates a more picturesque image in my mind of the mechanics of creating a space to consume and engage in such rituals.
The height of improvisation for me was “River Crossing,” and for good reason. If I were to imagine what it is like to cross bodies of water, or were to put to sound the testimonios of people who had to move through water to migrate somewhere, this would be the soundtrack. It is uncomfortable at times, rough, and unexpected to listen to at first. Yet upon hearing it again, I noticed the unpredictability that made the sounds even more powerful. Towards the end of this song it is familiar, joyous, and celebratory.
“Children At Play” is the halfway mark of the album. I wonder if the artists were imagining their own childhoods, or those of their own children as they created this song together. I believe they give us a glimpse into the environment they wish to create for children to safely play and explore as they are doing together. Jean Paul Bourelly and Stanislou Michalak’s guitar’s are paramount in this song.
The longest track at over seven minutes is “Men’s Talk.” Although similar in structure to other songs that are based upon improvisation, “Men’s Talk” also has moments where one or two instruments (including vocals) have a moment to be highlighted. As someone who is not a musician, I’m always fascinated by how musicians interpret and communicate in ways that they all understand when it is their time to step up and their time to step back. This was also something I noticed on “Elders Speak” track number 13, where Weinstein’s flute, some percussion and a guitar were the only sounds for a majority of the track.
“Flirtation” and “Praise” offer more vocals than other songs and “Spirit Messenger” sounded the most to me like the Sosa songs I’ve heard in the past with communal chanting and vocals, heavy percussion, drumming, and up-tempo beats. Yet, I believe this is the appropriate sound for a conversation with the ancestors and spirits.
“Gratitude” is the last track and shares similar elements with the first track, “Sunrise,” it is a good way to conclude this album: reminding us there is so much to appreciate. Not only has this album been on heavy rotation in my home, but also it’s an amazing addition to the genres of jazz and world music. Tales Of The Earth comes just in time to expand those ideas of what “Latino” means and who is included. Sosa and Weinstein’s collaboration demonstrate that “Latino” is in Africa, the Americas, Europe, and the Caribbean and is spiritual, ancestral, communal, and it is that which is honored in this album.
Omar Sosa and the Afreecanos Quartet are on tour!
From the album Afreecanos: “Light In The Sky”
7:41 pm By la Macha · Uncategorized · Comments Off
10 Sep 2009I don’t know about ya’ll, but I need me a Drrty Diana about right now.
3:04 pm By Maegan La Mala · Uncategorized · Comments Off
9 Sep 2009It’s still not clear what happened. What we do know is that all 104 passengers were released. The Mexican police force went into the plane after all the passengers were released, and freed the crew. Following that, up to 7 people were seen being taken off the plane in handcuffs. And the Mexican authorities is saying is that there were never any explosives on the plane.
More information will be forthcoming.
2:34 pm By Maegan La Mala · Uncategorized · Comments Off
9 Sep 2009An AeroMexico plane was hijacked in Cancun, Mexico earlier today. It is not clear who the hijackers are. Allegedly one is Bolivian and the demand is to meet with Mexican President Felipe Calderon. There were also reports that the hijackers claimed to have an explosive.
Reports say that the 104 passengers have been released after the plane safely landed in Mexico City airport.
Stay tuned as reports come in.
VivirLatino is a daily publication published by 2 Mujeres Media, dedicated to featuring all the latest politics, culture, entertainment of interest to the diverse and influential Latino and Latina community in the U.S.
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