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Archive for the ‘Raices’ Category

The Afro-Latin@s Now! Conference is taking place as I write. It began on Thursday at the Schomburg Center for Research in Black Culture with the Plenary and continued through Friday with “traditional” presentations throughout the day and wraps up this Saturday with events targeting youth at El Museo del Barrio.

I was asked to participate in one of the sessions on sexuality but my workload didn’t allow me to attend any of the events except for the Plenary. I’ve included some notes I took on the plenary and some other reflections from other folks who did attend Friday.

The plenary had four extremely well-known people doing work within the Afr@Latin@ community in various capacities. The panelists included Educardo Bonilla-Silva, sociologist at Duke University and author of several texts on white supremacy, Maria Rosario Jackson a researcher and professor who works in urban planning and development and , Evelyne Laurent-Perrault a biologist and historian and founder of the annual Arturo Schomburg Symposium at Taller Puertorriqueno in Philidelphia, and Silvio Torres-Saillant a professor of English and founder of the Dominican Studies Institute at City College and the author of several texts about Dominican identity. The facilitator for the evening was James Counts Early the Director of the Cultural Heritage Policy Center at the Smithsonian instituion. You may read more about each panelist and a fuller bio at the Afro-Latin@ Now! Conference site.

The first question that was posed to the panelist were “why is there this interest in Black Latin@s at this time?” Responses included an increased interest in Blackness, the diaspora. Torres-Saillant shared that when he was growing up Blackness was something one had to apologize for in the Dominican Republic. Rosario Jackson shared that with the browning of the US being more local yet there is still a crisis which she believes may lead to more creative opportunity. Laurent-Perrault mentioned the term “coyuntura” and how there is an increase in energy within particular communities that is leading to this attention. Bonilla-Silva shared that we are living in a “new racial order” which is how the US is moving towards a more Latin Americanist perspective on race, which he believes is NOT a good thing. He states we, in the US, are living in a “multi-racial white supremacist regime” and that there is a three point racial consciousness for Black Latin@s which includes: being racially Black, being ethnically Latino and being US citizens as well.

The next question was about being proactive. Torres-Saillant began by indicating how mestizaje is connected to the “multi-racial white supremacist regime” where the US hides racism under mestizaje in the US in the same way that Latin American’s are currently finding themselves in crisis regarding their mestizaje. Rosario Jackson shared that we must begin to claim racially Black people as a strategy to be proactive. At this point the facilitator Early shared how many Black Latin@s Anglicized their names to pass just as Blacks in the US. He gave the example of actor and producer Terry Carter and several Black Latin@ baseball players who changed their names to simply be in the Negro Leagues and be Black only.  Laurent-Perrault indicates this is why she loves history because it already gives us some of the answers we need. It’s at this time that the panelists indicate that Black US folks can learn from LatiNegr@s as we have 100 years longer of Blackness in our countries compared to the US (based on documentation of when the first African slaves were brought to the areas in the 1500s). Bonilla-Silva mentions the connections to the ideas of mixing among Black Latin@s in an effort to “better” (i.e. whiten) the family and community. He also mentions this being connected to a myth of nation building where we validate whiteness by using the same categories and structures that were created by whites to identify and label/mark Latin@s worldwide.

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This summer it’s all about saving money and supporting important films for our comunidad! I write this knowing that sometimes to support important films we may spend a little extra at film festivals, and if you live in an area where film festivals are coming (or have been) it’s def worth the energy to check out what they have to offer.

Mala and I will try to bring you some highlights of the film festivals we are going to this summer and year. In the meantime, here are a few films that have caught my attention and that I’d love to see (note that I’ve only seen some of these films and you can too, so they are not reviews), pero if any VL readers have seen any of these films I haven’t, please tell us your thoughts!

The first set of films is offered to view for free by the organization FUTURESTATES which are:

short narrative films created by established filmmakers and emerging talents transforming today’s complex social issues into visions about what life in America will be like in decades to come.

FUTURESTATES has also created a web resource for educators to use the films with grades 9-12 (but let’s be honest these are useful for any age!). The curriculums focus specifically on film and media.

The first film is one that was shared with me while I was away at a wedding. It is created, written, and directed by NYU alumna A. Sayeeda Clarke. Her film WHITE is in one word: phenomenal! It’s a short about 15 minutes long, and you may watch it online for free here. Clarke’s film takes place in the near future in NYC where the currency is skin color/melanin. She questions our ideas of identity, skin color, importance, class, natural resources, community, race, ethnicity, health, parenting, work, capitalism, global warming, and survival. The lead character is Bato, a Black Puerto Rican (yes, he’s written as that and indicates his identity in the film as such!), an activist in his community and expectant father. When the midwife working with his partner shares that she will have to give birth in a hospital setting, the couple must now find the money to pay the entrance fee to have a safe birthing outcome for their child. Bato must now find the money to do so.

The fact that there is a LatiNegro at the center of this story warms my heart. That we remain a part of the FUTURE is important for us to see and recognize. It also shares an important narrative of how white supremacy will/may continue in the future, but in new forms. This is one of those films where after seeing it I was so uncomfortable yet calm. I wanted more of the story and that alone is what makes this short film one of my favorites!  Below is an interview with A. Sayeeda Clarke discussing her film:

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MWC_Front_Vert2Porque we remember our loved ones from our familias and community everyday and porque the mujeres that are involved in the creation of this project are beautiful and kick culo.

Mangos With Chili: the floating cabaret of QTPOC bliss, dreams, sweat, sweets & nightmares
proudly presents the premiere of:

BELOVED: A Requiem for Our Dead
because we refuse to forget you

Featuring:
Nalo Hopkinson
Charleston Chu
E. Rose Sims
SoliRose
Nico Dacumos

Leah Lakshmi Piepzna-Samarasinha
Ms. Cherry Galette

and more

With video by Storm Florez, Alexis Pauline Gumbs, Kortney Ryan Ziegler, and more

November 6th and 7th, 8PM
The Lab
2948 16th St
San Francisco, CA 94103
$12-16, no one turned away for lack of funds

November 15th, 8PM
Hechos en Califas Festival
La Pena
3105 Shattuck Avenue
Berkeley, CA
$12-16, no one turned away for lack of funds

In this highly anticipated premiere of the newest Mangos With Chili production, we invite you to join us at the crossroads for a night of conjuring, memory, mourning and celebration. Through elegies of story, song, dance, drag and more, the Bay Area’s noted and notorious queer and trans people of color performance crew will honor our erased, fallen and slain queer and trans people of color family lost to hate crimes, war, colonization, and genocide. We will celebrate our queer legacies and the ways we’ve found to survive through the beautiful resistance of memory, and whisper stories about grief, loss, healing, sweet darkness, and walking between worlds towards rebirth.

Beloved: A Requiem for Our Dead will feature the brilliance and blaze of renowned Caribbean speculative fiction storycrafter Nalo Hopkinson; multimedia invocation performance art heart wrench by playwright and poet Nico Dacumos; In Memoriam, a new collaborative dance theater work by Charlston Chu and Cherry Galette; ancestral prayer/spoken love letter by writer and theater artist Rose E. Sims; a mixed media jazz dance cabaret extravaganza by Charleston Chu, an autobiographical musical journey traversing the Middle East and African Diaspora by virtuoso trio SoliRose; the powerful truth renderings of queer Sri Lankan writer and performer Leah Lakshmi Piepzna-Samarasinha; and the premiere of Moorish Salt a burlesque-dance theater/ritual performance art piece by fusion dance artist and theater-maker Cherry Galette.

Mangos With Chili is a Bay Area based arts organization committed to showcasing high quality performance of life saving importance by queer and trans artists of color to audiences in the Bay Area and beyond. Founded in 2006 by Leah Lakshmi Piepzna-Samarasinha and Ms Cherry Galette, Mangos With Chili has performed to sold out houses across North America, wowing audiences in world class theaters, underground performance spaces, bars, and campus halls, with their high intensity, breathtaking performance, politics, and storytelling craft, reflecting the lives and stories of queer and trans people of color, while making art that speaks out in resistance to the daily struggles around silence, isolation, homophobia, and violence that QTPOC face. Mangos With Chili is a fiscally sponsored project of the San Francisco based arts organization CounterPULSE, which provides space and resources for emerging artists and cultural innovators: www.counterpulse.org. Mangos With Chili is supported by the Horizons Foundation, the Astraea Foundation, and the generous support of our community of donors.

Both venues are wheelchair accessible. The show contains material of adult nature. Parental discretion advised. Please refrain from wearing scented products to ensure that audience members and performers with multiple chemical sensitivity can attend.

For more information:
mangos.with.chili@gmail.com
mangoswithchili.wordpress.com

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Monday Movie Clip, Voces : Special Circumstances

7:58 am By Maegan la Mamita Mala · Chile|crime|history|Media|military|Raices|Violence · Comments Off

19 Oct 2009

While a restless toddler jumped on the bed, I watched pedazos of this documentary last night on Voces on my local PBS station.

Special Circumstances follows Chilean exile Héctor Salgado as he returns to Chile from the USA to seek and confront the men who imprisoned him and tortured and killed his friends after the coup of 1973. Through his journey, audiences will come to understand the legal, political and social obstacles standing in the way of a nation’s attempt, thirty years later, to overcome its brutal history. Throughout five years of determined digging, Héctor finds old friends and family members, victims’ families, survivors and others who express divided and passionate opinions about Chile’s past.The resulting film not only tells a dramatic story of Héctor’s encounters with former military personnel, but also gives audiences a rare look at contemporary Chile and the nation’s efforts to reconcile its troubling history.

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Raíces: Yma Sumac

5:50 pm By Jennifer Woodard Maderazo · Features|Music|Peru|Raices · Comments Off

12 May 2006

Imma3.jpgRaíces is a VL Friday feature saluting Latino music icons of days gone by.

Normally the musical icons we write about on Raices have passed on, so I was happy (yet surprised) to find that a favorite of mine who I thought had left this world is in fact still with us. Yma Sumac, a Peruvian singer with one of the world’s most striking voices has been, in recent years (much like Bossa Nova artists) relegated to providing background noise to trendy martini bars and bachelor pads.

It’s not uncommon to walk into a tiki-themed bar in San Francisco or New York and hear one of her recordings. But this type of “exotification” was actually the biggest selling point for her throughout her career. Billed as the “Inca Princess”, she was Hollywood’s (and men’s) ideal of what an Incan woman should be. Unfortunately this has made many view her as more of a cult icon than the amazing (4-5 octave range) singer that she is. Some highlights from Yma’s Wikipedia entry:

Yma Sumac (born in Ichocán, Cajamarca, Perú September 10, 1922), also earlier spelled Ymma Sumak (quechua translation of “pretty flower”) or Imma Sumack is a noted vocalist of Peruvian origin. In the 1950s she was one of the most famous proponents of exotica music. She is remembered chiefly for her amazing voice, which at the time, covered a range of four octaves. She is (with some controversy) credited with singing the highest note recorded by the female voice (surpassing Erna Sack) in the track “Chuncho” in one of her LPs (Inca Taqui 1953).

Yma Sumac may have been born on September 10, 1922 in Ichocán, Cajamarca, Peru as Zoila Augusta Emperatriz Chavarri del Castillo. Other dates mentioned in her various biographies range from 1921 to 1929. Some sources [1] claim that she was not born in Ichocá, but in a nearby village or possibly in Lima, and that her family owned a ranch in Ichocá where she spent most of her early life. It is also claimed that she is an Incan princess directly descended from Atahualpa. The story that she was actually born as Amy Camus (which is Yma Sumac read backwards) in Brooklyn or Canada seems to be a hoax.

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Raíces: Eladia Blásquez

5:14 pm By Jennifer Woodard Maderazo · Argentina|Features|history|Music|Raices · Comments Off

7 Apr 2006

Dibujode_ar.jpgRaíces is a VL Friday feature saluting Latino music icons of days gone by.

Tango isn’t necessarily the most popular music among Americans in my age group. I think I’m one of the few people I know who realizes that tango isn’t just a dance involving a lot of fishnet stockings and sultry gazes. Tango is poetry, and in my opinion is the musical genre that comes closest to being more literature than entertainment. Its lyrics speak of the culture of which it was born — that of the arrabales of Buenos Aires — mysterious to the rest of us and beloved by its sons and daughters for their beautiful grimness and for embodying the porteño spirit in a code that only a native son can truly understand.

Tango has had many, many incredible poets — alas, too many to name. But one that has to come to mind when talking about the spirit of the arrabal; of the poverty that shapes art, the despair that begets the sublime, is Eladia Blásquez.

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Raíces: Elis Regina

2:45 pm By Jennifer Woodard Maderazo · Brazil|Celebrities|Features|history|Music|Raices · 1 Comment

31 Mar 2006

elis2.jpgRaíces is a VL Friday feature saluting Latino music icons of days gone by.

I am not a musician, but as a different kind of artist, music is very important to me. The idea for Raíces comes from that; and the fact that I found that many of the Latino musicians that have most impacted my life are largely unknown by the US Latino population.

One of my most cherished artists is the late Elis Regina. An icon in Brazil, she is mostly known here in the United States because of her bossa nova recordings and collaborations with Antonio Carlos Jobim. This is unfortunate, because her range went way beyond bossa nova; indeed, some of her more inspiring music is much darker, with her voice giving life to the work of some of Brazil’s most talented poets, dealing with the topics of social complacency, politics, hopelessness and of course, love.

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