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Archive for the ‘Music’ Category

Artists like Ismael Miranda, Cheo Feliciano, Domingo Quiñones, Adalberto Santiago, Johnny Ventura, Roberto Roena, Papo Lucca, Bobby Valentin, Isidro Infante, Yomo Toro, Ray Viera, Jorge Maldonado, Michel, and Nicky
Marrero gather this Saturday in NYC’s United Palace Theater to pay tribute to Johnny Pacheco
and his musical legacy spanning decades. For tickets and more info visit here.

The history of hip hop is often told in a male voice and from a male point of view. The role of mujeres, from MC’s to B Girls, is told as an aside. Enter the legendary Rokafella, a figure I knew growing up, as an example of fierceness, presenting a new documentary that highlights the lives of six street dancers exploring motherhood, sexual tension, femininity versus masculinity and the rap industry/mainstream images.

This coming Saturday at BAAD!, in the Bronx, NY you can catch a sneak peek screening of All the Ladies Say. The event includes performances by guest artists and photos by Vanessa Bahmani and Emily Lady Caprice. This event is a fundraiser to support the completion of the film and will be followed by an after party with an open jam.

Click here to RSVP

Fortuño Es Un Hijo de PU

8:17 am By Maegan la Mamita Mala · Music| Politics| Puerto Rico · No Comments

28 Oct 2009

I wasn’t a huge fan of the original song pero with these lyrics…..

…ok I could do without the chipmunk voice too and I feel bad for las putas cuz really even a puta wouldn’t want an hijo como el gov. de Puerto Rico.

Via / Cargas y Descargas

La India, Celia Cruz, and Tito Puente sing Guantanamera

10:51 am By la Macha · Arts| Music · Comments Off

20 Oct 2009

Speaking of PBS’s Latino Music series, last night’s show featured (among others) La India and Marc Anthony. I’d forgotten how much I love La India and really really hate Marc Anthony. It also reminded me of the very first time I heard India sing–with the incomparable Celia Cruz.

La India, Celia Cruz & Tito Puente - Guantanamera


La India, Celia Cruz & Tito Puente – Guantanamera from http://chrysalide.vox.com/

brownout

When someone shares with me a band that is said to create “funk” music something very specific comes to mind. Often what comes to my mind is not exactly what I hear when I listen to a new album. In my mind I think heavy electric bass, brass, sharp drumming, and an overall “big band” vibe. Brownout’s new album Aguilas And Cobras is exactly this.

The album is not heavy on lyrical content, but it does have a great focus on the quality of the music and creating a new sound combining traditional beats with fresh ones. The first track “Con El Cuete” is a subdued introduction to the album, a good song, yet not the strongest. With minimal lyrics in the song, we get to hear an emphasis on each instrument from drums, to strings, to even a cow bell. The second track “Ayer Y Hoy” is strong on the Latin influenced sounds with the brass opening up the song and maintaining a fierce presence with the percussion. How can you not want to dance to such a song?

Read more…

Sweet D’Cadencia at Terraza 7 Train Cafe, NYC Last Night

1:33 pm By Maegan la Mamita Mala · Arts| Culture| Music| New York City| Women · Comments Off

8 Oct 2009

Last night amigo Diego Liriko released his first poetry collection, Arte Bestial. Because of sleeping toddlers I missed the actual reading portion of the evening at Terraza 7 Train Cafe here in Queens, NYC. Pero I did arrive in time to catch Sweet D’Cadencia, a trio of mujeres mixing poesia y musica.

Sweet D’Cadencia Performing at the Release of Diego Liriko’s Arte Bestial from VivirLatino on Vimeo.

Sweet D’Cadencia, at Terraza (7) Train Cafe, Queens, NYC , October 7th, 2009

Sweet D’Cadencia Performing at the Release of Diego Liriko’s Book, Arte Bestial from VivirLatino on Vimeo.

October 7th, 2009, Terraza 7 Train Cafe, Queens, NYC

Sweet D’Cadencia Parte 3 Performing at the Release of Diego Liriko’s Book, Arte Bestial from VivirLatino on Vimeo.

Mala is in family court this morning (oh the joy), so I leave you the joy of Mercedes Sosa’s beautiful voice singing Violeta Parra’s beautiful song, that has served as a lullaby to my children and to some of my lovers.

I woke up to read the sad news that Mercedes Sosa, the legendary songstress from Argentina whose voice has brought me and many others to tears, passed away today at age 74. She has been in the hospital struggling with liver, kidney and heart ailments.

The Grammy award winning artist was born Haydé Mercedes Sosa on July 9th, 1935 in San Miguel de Tucumán. Her career spanned 60 years and her voice represented so much of Latin America’s history and political activism. She is considered part of the nueva cancion movement which was the musical representation of much of the protest movements in Latin America, especially in South America, in the 1960’s.

From the Washington Post:

Here are the lyrics of “We’re Still Singing,” which she sang accompanied by the large Andean drum called the bombo: “I was killed a thousand times. I disappeared a thousand times, and here I am, risen from the dead. . . . Here I am, out of the ruins the dictatorship left behind. We’re still singing.” Ms. Sosa came under official harassment and intimidation by the right-wing, nationalist junta that ruled Argentina from 1976 to 1983. The government was responsible for the deaths and disappearances of an estimated 30,000 real and perceived leftists, and Ms. Sosa transformed her sold-out concerts into rallies against the abuses of power.

Her songs were banned from Argentine radio and television, and she courted arrest by singing anthems of agrarian reform such as “When They Have the Land” at one performance in the university city of La Plata. Many in attendance were arrested by security forces, and Ms. Sosa was publicly humiliated by an officer who walked onstage and conducted a body search.

Teresa Parodi, a friend of Sosa said of her:

“…Mercedes, salmo en los labios
amorosa madre amada
mujer de América herida
tu canción nos pone alas y hace que la patria toda
menudita y desolada no se muera todavía,
no se muera porque siempre cantarás en nuestras almas…”

…Mercedes, psalm on the lips
loving and loved mother
woman of wounded America
your song puts wings on us and makes the entire
small and desolate homeland
does not die yet,
you will always sing in our souls…

If there is a heaven, I imagine her there with Victor and Violetta and so many others, and they are all singing.

biancaYou know us Latino families and how we just keep multiplying. In honor of Hispanic er Latino Heritage Month (mas on that later), I would like to an announce an addition to the VivirLatino familia.

Please manda saludos and show some love to Ms. Bianca Laureano.

Bianca I. Laureano is the daughter of an artist and educator. As a first generation Puerto Rican sexologist living in NYC, she was raised in the Washington, DC area in an activist environment and is a product of the public school system. In the field of sexuality for over a decade, Bianca has worked with and taught youth of Color, working class communities, national and international organizations advocating sex-positive social justice agendas. She has presented both locally and internationally on various topics concerning activism, Latino sexual health, feminisms, youth and hip-hop culture, Latinos and race, curriculum development, and teaching popular culture.

Bianca is an instructor with CUNY and a freelance writer with Amplify Your Voice as the Media Justice columnist. She hosts the website LatinoSexuality.com and identifies as a LatiNegra, activist, sex-positive, pro-choice femme. Find out more about Bianca by visiting her website www.BiancaLaureano.com

Bianca is joining VivirLatino as our new music and film editor and will be doing reviews for us starting este mes. We look forward to her voice and perspective.

Lunes Labor Day Musica : Victor Jara Te Recuerdo Amanda

7:40 am By Maegan la Mamita Mala · Chile| Labor| Music · Comments Off

7 Sep 2009

I woke up this morning thinking about the history of Labor Day in the United States. How is it that in the U.S. we don’t celebrate May Day and instead have taken this weekend in September and made it about bbq’s and last trips to the beach? Don’t get me wrong, I love some grilled carne and playa, but it seems like this U.S. holiday was rushed into existence in an effort to distract from real issues for the working/laboring class and purposely separated from May Day which reminds workers of the violence often unleashed upon them when they stand up with one voice.

Already the mainstream news media is turning the end of summer, the start of fall into a holiday of fear, recalling the horrors of 9-11-01 while denying other, earlier September horrors that are related thanks to the the politics of imperialism. Maybe that’s why when I woke up this morning I was thinking of Victor Jara and his musical legacy, how his art composed with the labor struggles of workers in Chile led to his murder. I am thinking of Amanda and Manuel in the song Te Recuerdo Amanda recognizing the Amandas and Manuels I see everyday in my family, on my block, in my community.


Hola!

VivirLatino is a daily publication published by 2 Mujeres Media, dedicated to featuring all the latest politics, culture, entertainment of interest to the diverse and influential Latino and Latina community in the U.S.

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