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Archive for April, 2010

If a lack of an immigration reform bill and perceived back-tracking on the part of lawmakers makes you feel like there is no movement happening when it comes to immigration, I would like to invite you to look at Arizona, which seems to be the lab for a growing enforcement first agenda.

If we want to look at this historically speaking with the state borders of Arizona, this is an expansion of the practices of Sheriff Joe Arpaio and the next step from 287(g), nationally.
SB 1070 makes it a crime to lack proper immigration paperwork and requires police, if they suspect someone is in the country illegally, to determine his or her immigration status. Meaning if you are brown and/or have a Spanish sounding last name be prepared to show your papers, kind of like what Schumer/Graham are proposing with a biometric national id.

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How does where you are from define who you be? Nuyorican poet Willie Perdomo presents his own perspective in the poem Where I’m From, published in his book Where a Nickle Costs a Dime.

Where I’m From
by Willie Perdomo

Where I’m From, Puerto Rico stays on our minds when the fresh
breeze of cafe con leche y pan con mantequilla comes through our
half-open windows and under our doors while the sun starts to rise…

Where I’m from, the police come into your house without
knocking, They throw us off rooftops and say we slipped. They shoot
my father and say he was crazy. They put a bullet in my head and say
they found me that way…

Where I’m from, it’s sweet like my grandmother reciting a quick
prayer over a pot of hot rice and beans. Where I’m from, it’s pretty
like my niece stopping me in the middle of the street and telling me
to notice all the starts in the sky.

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Amanda Gonzalez Andujar smiling, sitting in a bikini The person accused of killing Amanda Gonzalez-Andujar, Rasheen Everett, was caught in Las Vegas earlier this week and now faces second-degree murder and tampering with physical evidence charges. If convicted, he faces up to 25 years to life in prison.

May justice be served.

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Book, when I close you
I open life…

Book, you were never able
to put me onto paper,
to fill me
with typography,
with heavenly printing,
you were never able
to bind my eyes,…

Book, set me free.
I don’t want to go dressed
in a volume,
I do not come from a tome,
my poems
haven’t eaten poems,
they devour
passionate happenings,
they are nourished on the outdoors,
they extract food
from the earth and men.
Book, let me walk on the paths
with dust in my shoes and without mythology:
return to your library,
I am going out into the streets.

I have learned about life
from life,
love I learned from a single kiss,
and I couldn’t teach anyone anything,
except what I have lived,
whatever I had in common with other men,
whatever I struggled for with them:
whatever I expressed of them all in my song.

Original Spanish follows
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Tonight the Opportunity Agenda is hosting an event here in NYC on Immigration Arts + Culture.

As a cultural artist myself, the intersections between activism and art is very important and in fact, for me culture and art express values and identity critical to the survival of immigrant communities, especially people of color communities.

La Mala will be there covering the event live. Please follow VivirLatino on Twitter and be on the lookout for the hashtag #ImmArts.

(More personal, less censored tweets can be found by following Mala’s closed twitter stream- subject to approval).

Immigration: Arts, Culture & Media 2010

A TIMELY CONVERSATION WITH ARTISTS AND ADVOCATES featuring presentations by and conversations with
- Chung-Wha Hong, New York Immigration Coalition
- David Henry Hwang, Tony Award-winning Playwright
- Alan Jenkins, The Opportunity Agenda
- Mira Nair, Director of The Namesake and Monsoon Wedding
- Martín Perna, Founder of Antibalas and Ocote Soul Sounds
- Favianna Rodriguez, Printmaker and New Media Artist
- Frank Sharry, America’s Voice

plus the art of Kip Fulbeck
and other guests to be announced

Moderated by Maria Hinojosa,
Emmy Award-winning PBS anchor and host of NPR’s Latino USA

Reception to follow featuring DJ Martín Perna

SPONSORED BY UNBOUND PHILANTHROPY

IN ASSOCIATION WITH * Air Traffic Control * America’s Voice * Applied Research Center * Arts & Democracy Project * Arts Engine * Breakthrough * Center for American Progress * Center for New Community * Creative Capital * Creative Time * INTAR Theatre * International Coalition of Sites of Conscience * Lower East Side Tenement Museum * Museum of Chinese in America * National Immigration Forum * New York Foundation for the Arts * New York Immigration Coalition * Pratt Center for Community Development * Teachers and Writers Collaborative *

* PLEASE NOTE: You MUST RSVP at http://creativechange.eventbrite.com in order to have your tickets held for this event. *

The Twitter hashtag for this event is #ImmArts.

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Here is the 2nd part of Attorney Jan Susler’s presentation at the Union Theological Seminary on April 7th, 2010 on the issue of Puerto Rican political prisoners. This section of Susler’s presentation goes deeper into the history of Oscar Lopez and Carlos Alberto Torres.

In 1976, Carlos Alberto and Oscar, along with two companeras, went underground. Carlos Alberto and 10 others were arrested in 1980; Oscar in 1981; as well as others in 1983; they were accused of belonging to the FALN, Armed Forces for National Liberation. They invoked international law, articulating that colonialism is a crime against humanity; that anti-colonial combatants may use any means at their disposal, including armed struggle, to end that crime; and that the courts of the colonizing country may not criminalize captured anti-colonial combatants, but must turn them over to an impartial international tribunal to have their status adjudged. The U.S. did not heed international law, and proceeded to try them and send them to prison for sentences ranging from 35 to life… this, after the judge stated his regrets that there was no federal death penalty at the time, for that was the sentence he wanted to give them.

Time does not allow a complete catalog the myriad of human rights violations they experienced in U.S. prisons… the years of torture, withholding medical attention, lockdowns, harassment, false accusations of violations of prison rules and criminal laws. But we must take time today to consider what 30 years of prison means: Carlos Alberto’s father, Reverend Jose Torres (el Viejo) retired from his position as pastor of the United Church of Christ church and later succumbed to prostate cancer. Carlos was not permitted to go to his father’s deathbed or to the funeral. Oscar’s parents passed away. His mother, Mita, suffered from Alzheimer’s, and had difficulty understanding why she was unable to hug her son, as their visits were through thick plexiglass. Oscar was also not permitted to attend her funeral. Both Carlos Alberto and Oscar are now grandfathers… they have known their grandchildren only in prison visiting rooms, where guards hover closely and limit their physical contact.

In the early 1990’s, people in Puerto Rico and the U.S., who had worked to defend their human rights since the moment of their arrest, joined to form a campaign for the release of the Puerto Rican political prisoners. By the mid 1990’s, the campaign had moved beyond the movement for the independence of Puerto Rico and expanded to include broad sectors of Puerto Rican civil society… a most unusual phenomenon in Puerto Rico, where status preference lines rarely allow for such convergence. The churches— in both the U.S. and in Puerto Rico— were key in this effort. The campaign created the understanding that the men and women in prison for independence were Puerto Ricans who were being punished with disproportionately lengthy sentences and cruel prison conditions because of who they were, and not for what they had done: if they had been social prisoners, convicted of crimes not related to the independence of Puerto Rico, they would never have been given such lengthy sentences, and they would have been released after serving far less time in prison. And if they had been political prisoners in any other country of the world— be it in South Africa, in France, in Germany, for example, they would have been released after serving less time in prison.
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Stop the Deportation of the Perez Siblings

8:50 am By Maegan la Mamita Mala · Activism|Colombia|Immigration|youth · Comments Off

14 Apr 2010

In the absence of Comprehensive Immigration Reform and the DREAM Act, we are reduced to fighting on a one by one basis to stop deportations. The latest request comes from our amigos at DREAM Activist:

Although Laura, Camilo, and Natalia citizens of Colombia, they came to the U. S. as children. Laura was 15; Natalia was 13; and Camilo was 11. The three siblings came to the U. S. with their family in 2000, after receiving repeated death threats from a guerrilla group in Colombia.

These three siblings have been outstanding students. Laura was a pre-med student at Broward Community College; Camilo was studying engineering on a full scholarship at Florida Atlantic University; and Natalia was studying interior-design at Broward Community College. But for her detention, Natalia would have graduated with her bachelor’s this May. Despite their best efforts, these three DREAM Act students are awaiting deportation from the only country they call home.

I wonder how changing the U.S. policy with Colombia could also impact the lives of young people coming from there to the U.S.?

Sign the petition and take action here here.

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The following came via my Facebook feed and is part one of a presentation given by human and civil rights attorney Jan Susler on April 7, 2010 at the Union Theological Seminary. I feel it really gives some good background on Puerto Rican history and it’s colonial context.

In the past month, activists in Puerto Rico, New York and Chicago participated in art installations, voluntarily locking themselves into store-fronts converted into jail cells, each person spending a long and lonely 24 hour shift, symbolically deprived of their liberty, privacy, society, movement, and sensory stimulation.

Why on earth would dozens of people voluntarily submit themselves to such symbolic privations? To reflect on an historic moment: the 30th anniversary of the arrest of 11 Puerto Rican men and women who would be accused and convicted of seditious conspiracy, and sentenced to serve the equivalent of life in U.S. prisons. And to call attention to the fact that one of them—Carlos Alberto Torres—has been in prison for 30 years, another—Oscar Lopez Rivera—, for 29 years; and another—Avelino Gonzalez Claudio—, for 2. Of the 2,000 some Puerto Rican political prisoners since the U.S. invasion of Puerto Rico, Carlos Alberto is the longest held.

What could motivate a Carlos Alberto, an Oscar, or an Avelino, to risk not symbolic, but real, concrete, privations? What is it about the situation of the Puerto Rican nation that could lead to people being accused of conspiracies related to winning independence, including seditious conspiracy— conspiring to use force against the “lawful” authority of the U.S. over Puerto Rico?

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National Poetry Month : Dia 10 La Nueva Chicana de Viola Correa

5:52 pm By Maegan la Mamita Mala · Justice|Poetry|Women · Comments Off

13 Apr 2010

All of the poems I have posted have come from books in Casa Mala’s library. Today I was leafing through 500 Years of Chicano History in Pictures as edited by Elizabeth Martinez and came across this short pero dulce piece that reminds me of so many mujeres before me, so many mujeres that are presente, and so many mujeres yet to be.

Hey!
See that lady protesting against
injustice
es mi mama.
That girl in the brown beret, the
one teaching the children
She’s my hermana
Over there fasting with the migrants
es mi tia…
Listen to her shout!
La nueva Chicana by Viola Correa

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Yeah, yeah I could help the cheap joke.

I found this from our amiga Laura Martinez over at Mi blog es tu blog. It’s Macha’s Salmita promoting carne eating. Take that PETA.

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Hola!

VivirLatino is a daily publication published by Mamita Mala Media, dedicated to featuring all the latest politics, culture, entertainment of interest to the diverse Latin@ diaspora.

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